April 21, 20172017-04-21 19:30:00 2017-04-21 16:00:00 America/Vancouver Jazz Masters' Concert Jazz Artists: Brad Turner (Trumpet), Greg Yasinitsky (Saxophone), Rich Sumstad (Vocals/Trumpet), Janet Warren (Vocals), Kinga Heming (Voc Kelowna Community Theatre firstname.lastname@example.org
Jazz Artists: Brad Turner (Trumpet), Greg Yasinitsky (Saxophone), Rich Sumstad (Vocals/Trumpet), Janet Warren (Vocals), Kinga Heming (Vocals), Sean Bray (Guitar), Neville Bowman (Piano/Vocals), Bernie Addington (Bass), Scott Gamble (Drums), The Michael Garding Big Band, and The Best of the Okanagan
Featuring Vocalist & Piano Artist: Carol Welsman
Like many other successful musical artists, singer/pianist Carol Welsman was surrounded by music from an early age.
Music was “all over the family,” she recalls, reminiscing about her childhood in Toronto, Canada. Then, with a laugh, Carol adds, “The family story I always heard was that the members of the family who came over from Italy were all musicians.”
In fact, her family roots were also English and Irish, and the music that was “all over the family” embraced them as well.
Her mother was a piano teacher, an uncle was a violinist, and her father, Carol recalls, “played clarinet and saxophone quite well.” But the family member who had the highest visibility, many decades prior to Carol’s musical successes, was her grandfather on her father’s side. “His name was Frank S. Welsman, and he was the founder and first conductor of the Toronto Symphony Orchestra.”
Carol, herself, was taking music lessons at an early age, and played contra bass and violin in high school. Her fascination with jazz was triggered by a friend who had, she says, “an incredible record collection.”
Starting at the age of twelve, she was also taken by her father to big band concerts. She happily remembers hearing Woody Herman and Count Basie, as well as Peggy Lee. “But I missed seeing Duke Ellington; he was my Dad’s favorite.”
“I was Dad’s only daughter,” she adds, “and I liked getting special treatment. I wanted to go with him no matter what he was doing. If he wanted to go wood chopping, I went wood chopping.” In her teens, she found herself drawn to vocal groups such as the Four Freshmen, The Double Six of Paris and the Hi-Los. At sixteen, she organized and arranged for her own vocal ensemble. Despite the ever present musical environment surrounding her young years, Carol “never felt any pressure, unlike other young musicians I knew. I was surrounded by music in a loving way and I felt nothing but encouragement.”
The supportive environment no doubt produced the positive results Carol achieved when she went to Boston to study at the Berklee College of Music, where she finished all the music studies. She also became friends with Herve Legrand, the son of French composer/pianist Michel Legrand. The friendship opened the way to far-reaching musical vistas for Carol. With Legrand’s aid, she was accepted into a highly regarded Paris music school, CIM. She also received a grant that allowed her to go to Paris and study voice with Michel Legrand’s sister, the soprano Christiane Legrand.
Carol’s string of good luck paused at this point. When she unexpectedly began to experience throat discomfort, she visited a doctor and was told that she had three polyps on her vocal cords. Surgery was recommended, but Carol spoke to an opera singer friend who advised her to “get another diagnosis and avoid the knife.” And she did.
“I dealt with it myself,” she explains.“I went into serious vocal rehab in Paris. I didn’t go out at night, couldn’t go into any smoky clubs or restaurants. I lived in silence except when I was in a lesson with Christiane. Then I went back to Toronto and found another teacher who had dealt with polyps. Both she and Christiane basically trained me how to sing around my vocal condition so I could continue to perform.”
Vocally healthy, Carol returned to Paris the next summer, formed a band and remained in France for the next four years, then toured Italy for three more.
“It was,” she says, “one of the most memorable times of my life, musically and otherwise.” Returning to Toronto, Carol began the recording phase of her career in 1994, and released her first album, Lucky To Be Me a year later. It received a Juno [Canadian Grammy] Award nomination for “Best Jazz Vocal Album”. Since then, six of her ten albums to date have received Juno nominations.
After some musician friends urged her to help further her professional visibility by leaving Toronto for the “big fish pond” of Los Angeles, she took their advice. Starting to record in L.A, she bought a second home there and traveled back and forth until 2003. Until, as she describes it, she “fell in love with the L.A. lifestyle” and decided to embrace it full time.
In 2005, Carol took a major step in that direction when she married attorney Pat Harris and moved into their beautiful home in the glorious Hollywood Hills. Her latest album, ALONE TOGETHER, has been released and is now available for download.